The key to manipulating your audience's emotions.

Live Webinar: Is Manipulation Good in Screenwriting?

Writers Digest

Sent on 25 June 2024 10:20 AM

Text Summary Of This Email

Live Webinar: Is Manipulation Good in Screenwriting?
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The word manipulation often spells trouble. But in screenwriting, if you think about it, manipulation is actually a positive. Anyone who watches anything wants to feel something, and wants their emotional state to be impacted by the movie or TV series they watch. Which means the audience is asking the writer to manipulate their emotional experience. So how do you embrace this power and fully understand your role as a writer?
This live webinar will provide answers. Youll learn to get comfortable with the concept of manipulating your audience, and understand more fully why it is so important. This webinar will teach you how to construct scenes that maximize the emotional impact for your audience. How to create characters that resonate, and how to build an emotional layer into your story.
Your instructor, Tim Schildberger has been writing for decades. Hes the author of The Audience and You: A guide to writing screenplays with emotional impact which has topped the Amazon screenwriting book charts. His insights into finding the connection between writer and audience have helped everyone from working writers, to those just starting out.
Understanding your role as someone given the responsibility to impact another persons emotional state is powerful, and an important step in your screenwriting journey. This live webinar will help you accept that power, and learn that sometimes, manipulation can be a good thing.
Why manipulating an audience may actually be a good thing
Why giving your audience an emotional experience is so important
Tips on constructing a scene to deliver maximum emotional impact
How to get your audience to care about your characters
Understanding and embracing your true power as a screenwriter
Skills on communicating more effectively with your audience
How to make strangers feel
The secrets to making your script stand out from the pack
How to focus more of your attention on non story related aspects writing
What Literary reps, producers, and agents really connect with in a script
How to figure out if your script is having the impact you want
Avoiding cliches that will damage your relationship with the audience
Finding the courage and commitment to embrace the mushy bits
Writers learning how to construct scripts that resonate
Writers who feel they have a solid story, but cant quite get the characters right
Writers willing to dig deeper emotionally to create a truly impactful script
Writers who want to explore their relationship with an audience
Writers hoping to connect more fully with their script, and an audience
Writers at every stage of their screenwriting journey from novice to pro
Anyone curious to understand the secrets to creating powerful stories
Writers determined to entertain strangers
Writers hoping to get paid to write
July 11, 2024
LEARN MORE AND SIGN UP!
Instructor: Tim Schildberger
Born and raised in Australia,Tim Schildbergerwas the youngest writer on the global TV series Neighbours, and moved to Los Angeles in 1997. Hes a writer, producer, journalist, script coach, and Girl-Dad. He was a supervisor on the wildly successful feature Borat, and created and wrote the US TV series Lawrence of America. Tim is a frequent contributor to Script Magazine, and he founded the popular screenwriting competition Write LA. He is based in Los Angeles.
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